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“Everyone is so happy, because the sun is always shining.
It looks like another perfect day. I love LA.”
– Randy Newman
Since its founding in 1781, Los Angeles has been labelled as an angel city. But far fewer heavenly opinions have predicted in speeches of a fiery campaign that “sinful” cities will be destroyed by an earthquake of “God’s retaliation”;
A few days after the remarks, massive tremors destroy most of Los Angeles and many of its landmarks, including the Bonaventure Hotel in downtown, Union Station and Santa Monica Pier.
Los Angeles knows how to survive the crisis. Angelenos is taking advantage of its resilience and strives to build a city for everyone.
After amending the constitution to allow him to become president for life, the commander issues an order separating Los Angeles from the rest of the country, transforming it into a deportation center for those who feel “too undesired or ineligible” for the new “moral America.”
cut!
To be clear, everything you just read is fiction. The above scenario is the setup for John Carpenter’s 1996 film, Escape from LA, which gives a satirical, post-apocalyptic view of future Los Angeles.
John Carpenter directed and co-written “Escape from LA.”
(Kyle Cassidy)
Best known for creating 1978’s “Halloween,” which launched a fresh new wave of horror films, Carpenter belongs to a legion of filmmakers who placed Los Angeles in a creative crosshair, aiming for destructive balls with its palm trees, skyscrapers and world-famous landmarks.
From “The War of the Worlds” in 1953 to “Blade Runner” in 1982 and “This Is End” in 2013, vast areas of the city have been victims of various disasters, including earthquakes (“Earth”, 1974), tornadoes (“Tomorrow’s Day”, 2004″, and “Elysion in 1997”.
The giant mutant ants invade Los Angeles with “They!” (1954). A frog shower falls from the sky to residents of the San Fernando Valley in Magnolia (1999). Space aliens appear to have a particularly light-hearted da for Los Angeles, as evidenced by “World Wars”, “Independence Day”, “Battle: Los Angeles”, and “Skyline”.
According to filmmaker and critic Tom Andersen, “The Blade Runner” – “The Official Los Angeles Nightmare” depicts a dark, heavily contaminated urban centre with flying vehicles and residents soaked in a constant downpour of acid rain.
His documentary, “Los Angeles Records the Depicting of the City Throughout Cinema History,” aims to be his own destruction ball. The film’s narrator cites the late Mike Davis, a well-known historian and urbanist. He says Hollywood has “a special joy in destroying Los Angeles.
The film depicting the fall of Los Angeles has long been a reliable draw for the film audience. Also, techniques ranging from detailed models to extensive CGI have provided a distinctive showcase for visual effects artists in the industry.
“Attack,” a disaster epic from Universal Pictures, an all-star cast led by Charlton Heston, Ava Gardner, Richard Roundtree, Lorne Green and George Kennedy. When the film premiered in 1974, the theatre presented it with a special speaker system called the Sensel Round.
The film opens with a bird’s-eye view of Los Angeles’ picturesque skyline, reservoirs and grassy hillsides before its bold titles with ominous music courtesy of legendary composer John Williams. In conclusion, most cities are reduced to flat, flame-rich hellish landscapes.
(These images share a creepy similarity with some of the horrifying scenes of the recent destructive wildfires that swept over Pacific Palisade, Malibu and Altadena in January.)
Los Angeles also stars Dwayne Johnson as the Los Angeles Fire Department’s top search and rescue helicopter pilot, causing harm in “San Andreas” (2015). The film features its impressive visual effects and depicts an eruption along the San Andreas Fault Line, which wreaked havoc along the West Coast.
Certainly, Los Angeles is not the only place to be reduced to Kura Rub by Hollywood filmmakers. Paris was defeated by the giant meteor of Armageddon. “Twister” and its sequel, “Twister,” placed waste in a vast area of Oklahoma. “Escape from LA” is a sequel to Carpenter’s much more skilled “Escape from New York” with similar themes.
Still, “Los Angeles plays its own,” Enke King said, “it seems the whole world is rooting for Los Angeles to slip into the Pacific Ocean or be swallowed up by the San Andreas fault.”
The documentary highlights the sequence of 1996’s “Independence Day.” In this sequence, a group of revelries go to the top of the first interstate world center known as the US bank tower, greets the hovering spaceship above it, and considers the aliens inside to be friendly. When the bottom of the ship opens, they make a strange appearance and reveal a warm blue light. A few seconds later, a huge ray appears, shattering the tower and the celebratory mob.
“Who can equate with the caricatured mob dance in ridiculous ecstasy to greet extraterrestrial Ecstasy?” King once again summons Davis’s spirit. “When such a Kook is vaporized by the latest malicious guests on Earth, there is a certain undertone of “good idiot.” ”
The famous Hollywood sign is history that sparked a devastating series of tornadoes on “Tomorrow Day.”
(20th Century Fox)
Brad Payton, director of “San Andreas,” says the appeal of these disaster films is primarily driven by city landmarks.
“Los Angeles is a city of constant change. It’s itself re-emerging, demolishing old buildings and erecting new buildings. Hollywood brings constant flow and confusion,” said Paul Malcolm, senior public programmer at UCLA Film & Television Archive.
In addition to scenes highlighting spectacle and heroism moments, some filmmakers also have more serious issues regarding disaster preparedness and structural shortages. “I think this would be the worst place if an earthquake applies,” said Peyton, a Canadian native, in his underground garage somewhere in Los Angeles.
In the “volcano”, an underground volcano erupts under MacArthur Park, sending rivers of lava through the subway system, spilling from the pits of Lovelaertar into a queue at the Wilshire Boulevard Museum. Seismicologist Amy Burns (Anne Heche) suspects that the volcano may have been activated after the earthquake. She criticized local officials who approved the underground subway, criticizing the city for “the city is ultimately paying for its rog haughty and actively working on the subway.”
Author and film director Craig Detweiler (“Remand”) said the popularity of “Rec La” films could also be inspired by vy hope.
The popularity of such fares was curated by the once own subgenre, “Los Angeles Destroys Itsself” – UCLA Film & Television Archives at the Los Angeles Film Festival.
The slate included the 1988 “Miracle Mile.” Here, the intersection of Fairfax Avenue and Wilshire Boulevard became the center of the riot, filled with residents scared to report new nuclear missiles.
In the “volcano,” an underground volcano, along with Tommy Lee Jones and Anne Heche, erupts under MacArthur Park, passing through the subway system, sending rivers of lava, spilling through the hole in La Blair Tar to a queue at the museum on Wilshire Boulevard.
(Lorey Sebastian/20th Century Fox)
Greg Strouse, who overseen “Skyline” and founded a special effects company with his brother Colin, agrees that viewers will be guilty of seeing Los Angeles landmarks ripped to shreds. “When you see a landmark flipped over your head, you’ll take people from the couch to the movie theater,” Strause says.
“Skyline” stars Eric Balfour and Scotty Thompson as Jarrod and Elaine. The Brooklyn couple travels to Los Angeles to celebrate their birthday to help Jarrod’s friend, a wealthy entrepreneur Terry (Donald Feson). When the aliens launch their attack, they all become trapped in Terry’s Marina del Reypenthouse.
At one point during the break of the attack, a pregnant tormented Elaine quietly says, “I hate LA.”
Although “Skyline” was released in 2010, Hollywood hasn’t been able to take vision to destroy Los Angeles in recent years, but you wouldn’t be surprised if UCLA’s Malcolm made a comeback.
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