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Like the local art world’s Olympics, all of Southern California’s museums seem to be coming together to put on unique exhibits around a common theme: “The Collision of Art and Science.” It’s all part of the third installment of PST ART (formerly Pacific Standard Time), a Getty-funded initiative that brings museums and several galleries to exhibits on artificial intelligence, climate change, cyberpunk, and dozens of other things. nearly $20 million in grants to host the event. Topics at the intersection of art and science.
PST ART officially kicked off last weekend with artist Cai Guo-Qiang’s explosive WE ARE event and the debut of nearly 40 exhibitions at the Coliseum. Just as many exhibitions will be held over the coming months. But for the average Angeleno, there’s only so much time and money to spend on all these shows (thankfully, many of them offer free museums and free time; parking is available, though) but…). So where do you start? Check out these four standout shows and keep an eye out for four others coming soon.
4 PST ART Exhibitions You Should See Now
Photo: Michael Juliano for Time Out Olafur Eliasson, Viewing Machine for Imagining the Future of the Ocean, 2024
Olafur Eliasson: OPEN
Geffen Contemporary at MOCA
Until July 6, 2025
By far my favorite of the early batch of PST ART shows, this spectacular exhibition by the Icelandic-Danish artist brings a new series of optical installations to MOCA’s Little Tokyo. Don’t let the colorful, reflective pieces fool you into thinking this is your run-of-the-mill “immersive” exhibit. Olafur Eliasson’s work invites you to admire the everyday miracles of physics that shape the way we see the world.
Step inside the towering mirrored archives of the Intro Gallery and you’ll find yourself in a world of infinite space and a small world. In two cases, the warehouse-style spaces are illuminated by sunlight and sky. Eliasson’s colorful and photogenic kaleidoscopes are sure to please audiences, but they, and most of the other installations here, offer a behind-the-scenes look at the surprisingly simple analog optical devices that make them possible. It’s as thrilling as it is to peek.
You’ll need a timed ticket ($18) to see “Olafur Eliasson: Open,” but look for reservations for free admission on the first Friday of every month (5-8 p.m.).
Photo: Michael Giuliano for Time Out
Lumen: The Art and Science of Light
Getty Center
Until December 8, 2024
As you might expect, the Getty is hosting a number of free PST art exhibitions this fall, but this one is definitely the largest and most notable. Lumen takes a multi-religious approach to how astronomy and optics influenced medieval art and religion. In other words, illuminated Hebrew Bibles and Byzantine chandeliers are on display alongside Islamic astrolabes from the 1200s and 12th century. A document that records how monks used constellations to tell time.
The Getty newspaper also links several contemporary works to the exhibition, including Fred Eversley’s purple parabolic lens and one of Anish Kapoor’s void-like Vantablack sculptures. These current works also extend outside the gallery. The museum’s north pavilion features a hazy, meditative sculpture by light and space artist Helen Pashjian, as well as a series of rainbow-scattering prisms by Charles Ross at the entrance. hole.
Be sure to check out the two eye-catching exhibits in the West Pavilion. “Abstracted Light: Experimental Photography” features abstract prints by artists such as László Moholy-Nagy and Man Ray, and “Sculpture with Light: Contemporary Artists and Holography” features portraits that appear to float within the frame. and landscape collection. Both are available for a limited time until November 24th.
Photo: Michael Giuliano for Time Out
Imagining the Future: Indigenous Art, Fashion and Technology
Autry Museum of the American West
Until June 21, 2026
The more than 50 works on display at Oatley demonstrate how Indigenous artists have crafted visions of alternative futures in the face of the enduring trauma of colonialism. The bottom floor exhibit opens with a semicircle of high fashion, including Kannupa Hanska Luger’s remarkable raven costume, combined with video footage of his performance work. Star Wars plays a surprising role in the vibrant show, including Andy Everson’s Northwest Coast-inspired Stormtrooper helmet.
The exhibition features a collection of artworks in the second-floor gallery, including surreal spacescapes by Wendy Red Star and a multimedia installation by Virgil Ortiz that reimagines the Pueblo Rebellion of 1680 through the cinematic lens of Dune and the MCU. It also spreads. Also, be sure to check out the museum’s other PST ART shows. The show opens in May and runs until January 5, 2025. Off-Site: Investigative Science and the Hidden West tackles everything from mining exploration to nuclear explosions in its exploration of documenting and monitoring the landscapes of the American West.
Photo: Michael Giuliano for Time Out
Breath(e): Towards climate and social justice
hammer museum
Until January 5, 2025
Born in the midst of the pandemic and the social justice protests of 2020, this exhibition, guest-curated by Glenn Kaino and Mika Yoshitake, examines how environmental art intersects with equity. In fact, works that ponder the changing dynamics of the natural world, such as Tiffany Chan’s floating model of a flooded Southeast Asian village or LaToya Ruby Frazier’s photographs of the water crisis in Flint, Michigan. means that it can be found.
But the large-scale installation above the museum’s courtyard is likely to attract the most attention. It’s a plastic recycling station in Lan Tuazon, a green oasis by South Los Angeles’ self-proclaimed “gangsta gardener” Ron Finley, and a literal hive of activity around Garnet Puetz. Untitled (Paradoxical Garden Downstream), three wax figures flying around with bees (behind glass and some curtains, but nearby wild bees still find themselves drawn to it).
We are also looking forward to the next four PST ART exhibitions
A World Without End: The George Washington Carver Project
California African American Museum
September 18, 2024 – March 2, 2025
By the time you read this, this free CAAM exhibition will have already taken place. However, we previewed it in the middle of the installation. And it turns out that there are already a lot of attractive works available. The exhibition highlights Carver’s pioneering work in agricultural science (including, of course, promoting peanuts) and his rarely exhibited artwork. Several of Carver’s paintings are on display, as well as laboratory equipment and a vial of the Egyptian blue pigment he created. But much of the wall space is dedicated to contemporary artists he continues to inspire more than a century later, including large cotton canvases by Kevin Beasley and reproductions of Carver’s dye studies by Terry Adkins. has been taken over.
Color in Motion: A Colorful Exploration of Cinema + Cyberpunk: Imagining Possible Futures Through Cinema
Academy Museum of Motion Pictures
October 6, 2024 – July 13, 2025 (from Cyberpunk to April 12, 2026)
We had the opportunity to check out two film exhibitions at the Academy Museum in their early stages of installation. We’ll start with the smaller of the two, “Cyberpunk.” The work occupies a double-height hard gallery and features posters for films such as Blade Runner and The Matrix, as well as never-before-displayed Tron costumes and prop silicone heads from Ex Machina. At its center is a giant diagonally cut screen that showcases cyberpunk, Afrofuturist, indigenous futurist, and Latino futurist film settings.
But “color in motion” is the star of the fall, from the use of color in the Lumière brothers’ early works like “The Serpentine Dance” and the colored reels of silent films to “Django Unchained.” It is an ambitious timeline that even traces the costumes of modern films such as “The Movie”. and “Portrait of a Lady on Fire.” The return of Dorothy’s ruby slippers from The Wizard of Oz is the big hit headliner, but we promise all kinds of other fun, including an interactive neon-hued ‘color arcade’ and world projections. I watched a fly-through animation. Trippy Stargate from 2001: A Space Odyssey. It extends to the graphics on the wall leading to the exit. There was one fun installation already assembled for our walkthrough. A reproduction of Oskar Fischinger’s Lumigraph. It’s a soft, stretchy screen with layers of light that you can push in with your hands to create hypnotic routines set to music. It’s…admittedly hard to explain in words, so trust me when I say it’s pretty cool.
Photo: Michael Juliano for Time OutJosiah McElheny: Island Universe
Infinite Mapping: A Transcultural Cosmology
Rakuma
October 20, 2024 – March 2, 2025
You can already enjoy previews of LACMA’s PST ART’s beautiful “We Live in Painting: The Nature of Color in Mesoamerican Art” and the single gallery’s “Digital Witness: Revolutions in Design, Photography, Film.” But we returned after our recent visit, most eager to see the debut of “Infinite Cartography,” a collaboration between Carnegie and Griffith Observatories. Humankind’s evolving attempt to explain the origin of the universe.
Alongside sacred works of art and architecture, expect exciting contemporary works with a scientific bent, such as Josiah McElhenney’s teaser piece already on display in the center of the Resnick Pavilion. Island Universe features five reflective spheres surrounded by sticks. It is believed that each sculpture represents a different parallel world, and each branching rod represents the passage of time.
fabric aitken lightscape
walt disney concert hall
November 16, 2024
Marciano Art Foundation
December 17, 2024 – March 15, 2025
Doug Aitken may be best known for the mirrored house he built in the Coachella Valley in 2017. But at PST ART, LA artists feature a little bit of everything: film, and dance, music, installations, and landscapes. . The resulting work, “Lightscape,” is a collection of hypnotic stories set in Southern California that premiered with live orchestration and vocals at the Walt Disney Concert Hall in November, and recently opened in December. He plans to head to the reopened Marciano Art Foundation. Screenings are free in the spacious theater gallery (there are also live performances on Saturdays).
Aitken composed the soundtrack with Grant Gershon and the LA Master Chorale (with some help from Beck, who is seen busking outside a donut shop in the trailer, as well as La Romme and James Gadson), and Gustavo. – Composed the soundtrack using minimal orchestration performed by Dudamel and The Master Chorale. LA Philharmonic.
We were invited to Aitken’s Westside studio for a conversation with the artist and a closer look at Lightscape. If you’ve seen Koyaanisqatsi (or Aitken’s 2016 MOCA show), you’ll have some idea of what to expect. It’s an anthology of about a dozen settings and characters that are beautifully shot and unfold at a rhythmic pace. There are vocals, but no traditional dialogue. Instead, dancers can be seen outdoors, whether in designed installations or in front of DWP buildings or warehouses like Amazon. One minute a cowboy is riding past a desert gas station on horseback, another Natasha Lyonne is riding around a parking lot, and the next a mountain lion is slowly passing a suburban pool. Yeah, it’s very LA to us.
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